"THE VELVET UNDERGROUND" a documentary film by Todd HaynesĪssociate Producer J. In association with Federal Films a Motto Pictures and Killer Films production Today, The Velvet Underground's own immense influence is universally acknowledged.Īpple Original Films and Polygram Entertainment present Music From The Motion Picture Soundtrack also features tracks by artists who influenced The Velvet Underground including a live version of "Road Runner" by Bo Diddley "The Wind," a doo-wop classic by The Diablos featuring Nolan Strong and the previously unpublished La Monte Young composition, "17 XII 63 NYC The Fire Is A Mirror (excerpt)," performed by The Theatre of Eternal Music. The soundtrack features such Velvet Underground favorites as " Sunday Morning," "All Tomorrow's Parties," "Pale Blue Eyes," "I'm Waiting for The Man" and "Sweet Jane," as well as the mono version of "Heroin" and the rare cut "Foggy Notion." Also featured are live versions of "After Hours" and "Sister Ray," Nico's "Chelsea Girls," and the tongue-in-cheek novelty song "The Ostrich" by The Primitives, an early band formed by Lou Reed and John Cale. THE VELVET UNDERGROUND MOVIE HOW TO“It’s a dark, disturbing and glorious film about a dark, disturbing and glorious band, and another sign that Haynes knows how to put music onscreen in a way that few other directors do.‘THE VELVET UNDERGROUND: A Documentary Film By Todd Haynes – Music From The Motion Picture Soundtrack’ To Be Released October 15įeaturing some of The Velvet Underground's most well-known tracks, rarities and songs that influenced them, The Velvet Underground: A Documentary Film By Todd Haynes – Music From The Motion Picture Soundtrack serves as the perfect introduction to the band and companion piece to the film. The film features in-depth interviews with the key players of that time combined with a treasure trove of never-before-seen performances and a rich collection. Haynes puts his distinctive stamp on the material while crafting a work that could almost have come from the same artistic explosion it celebrates.” THE VELVET UNDERGROUND is dazzling: a hypnotic act of high wire montage.” “A coruscating document that feels like a time-machine kaleidoscope. THE VELVET UNDERGROUND is a documentary that meets The Velvet Underground eye-to-eye and enriches it.” Haynes deals with the band on the level they wanted (as musical poets, innovators, and influence) with admiration, but not uncritical reverence. “Hypnotic, seductive, and, just simply, very cool. It’s Godardian, but it’s also Warholian and Haynesian… it’s hypnotizing, brain-expanding, and just plain fun. An experience, something you feel as you might feel the drums during a live music performance: in your gut. A spectacle as well as an account of a time and place. The group would bridge the gap between the Brill building, Baudelaire, and downtown New York bohemianism… extraordinary.” Scott’s Critic’s Pick review and Elisabeth Vincentelli’s feature in The New York Times. Presented with support from the Roy Lichtenstein Foundation Fund Reviews In 1987, Todd Haynes (MVFF Tribute 2017) made a short, Superstar: The Karen Carpenter Story, and went on to make music the theme of several more films, paying homage to glam rock in Velvet Goldmine (1998), exploring the enigma of Bob Dylan in I’m Not There (MVFF 2007), and now documenting The Factory house band in The Velvet Underground. “Fabulously entertaining.” – The Hollywood ReporterĢ021 120 MINS. Haynes interviews only figures who were part of the scene, including: Cale, whose electric viola and piano work were key elements of their sound drummer Tucker Terry Philips of Pickwick Records, where Reed cut his teeth as a staff songwriter Factory superstar/The Velvet Underground dancer Mary Woronov singer/songwriter Jonathan Richman, who attended over 60 of their shows and La Monte Young and Marian Zazeela of the avant-garde collective Theatre of Eternal Music (where Cale fine-tuned his viola-drone sound). Andy Warhol, the band’s Svengali, discovered Nico, the blond chanteuse whose deadpan beauty added to their mystique. Todd Haynes (who previously explored the many guises of Bob Dylan in I’M NOT THERE and glam rock in VELVET GOLDMINE) traces their origins, assembling a mind-boggling collage of underground movies (Stan Brakhage, Kenneth Anger, Tony Conrad) and Lower East Side performance art. With songs like “I’m Waiting for the Man,” “Venus in Furs,” and “Sister Ray,” they were a gritty riposte to hippiedom and an influence on rock for decades to come. The quintessential 1960s New York art-rock group, The Velvet Underground - Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker - oozed cool, from their expressionless stage presence to their trancelike music and lyrics evoking sex, drugs, kink, and all things transgressive. “The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band.” – Brian Eno.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |